My mix-bag arrangement of various hip-hop themes was designed with stage 4 groups in mind for beginner to intermediate players but focusing more on the beginner end of the spectrum. This arrangement however, could be used for good stage 3 ensembles, and as a repertoire piece for stage 5. All parts except the horns (because seriously, how many horns do you come across in the average school!!) have both a hard and easy part, and appropriate ranges have been taken into consideration. For example, the harder clarinet goes over the break, while the easy part does not. I included two improve sections, one in that is major and one that is minor. This allows students to get an understanding of how both sound like and what notes sound good when improvising over major and/or minor.
I choose to use themes from hip-hop songs, as they are very memorable tags and thus easy to memorize. This lends this composition to be learnt from an Orff approach approach. They way I would teach this using the Orff approach would be by first taking one part of the piece, such as the start and teaching the students the ostinato derived from the score. For example:
Once the whole class was able to do these on body percussion, have them swap around, and get used to performing all of them. Then once there is a good groove happening, I would start singing the melody line from the start of the piece. I would however change the words though so they are more appropriate for a school setting.
Eg: (imagine Gold Digger melody here)
It’s in the morning,
When I’m in need,
Oh she’s a latte
It wakes me
Oh it wakes
Yea this latte
It wakes me
Then I would teach the students, this melody, so they could sing the melody, while performing the ostinatos. Then I would transfer these ostinatos and melody onto instruments and come up with melodies for the ostinatos. Then I would get students to come up with a bordun, and harmony parts and then have the class perform the piece. From here I would teach the rest of the song using the mix-bag arrangement score. As students already know half the piece it will be easy for them to pick up the rest of it.
As a composition activity the melody line, harmony line and bas line, could be recorded into a audio or MIDI file and then given to students on GarageBand. Students would then have to come up with there own arrangement of the given material, as well as keeping an improvisation section in their own arrangements.
Below is the mix-bag score that I arranged:
arrangment cme – Full Score